Graduated in Audiovisual Communication and Multimedia from the ERAM University School – UdG, Judit López is a visual creative specializing in 3D animation, visual effects, and motion graphics. With a combination of technical and artistic skills, her work focuses on creating immersive content for brands, events, and digital campaigns.
She currently works at Martes Studio (Barcelona), where she is responsible for 3D modeling and animation of characters, objects, and environments for advertising and interactive installations. In this role, she has developed visuals for renowned brands and applied advanced rendering and digital integration techniques.
With experience in 3D modeling and animation, she has participated in high-impact projects for brands such as Bershka, Estrella Damm, Cupra, and Mango. She has worked on creating 3D visuals for the reopening of the Bershka flagship on Oxford Street in London, combining 3D modeling and animation with the physical implementation of the elements. She was also responsible for the 3D audiovisual teaser and CUPRA Airport Stand visuals for the America’s Cup at Barcelona’s El Prat Airport and the World Premiere Madrid 2024, applying advanced real-time rendering techniques.
In the fashion sector, she has participated in the Mango Like You campaign, developing motion graphics optimized for digital screens in stores and their web implementation. Additionally, she has created innovative content for the reopenings of Bershka stores in Valencia, La Coruña, and Milan, designing visuals for prismatic screens, holographic fans, and interactive mirrors. In the digital space, she has worked on integrating 3D elements into real environments through tracking and digital compositing for Bershka and Estrella Damm Instagram Reels, achieving a smooth fusion between the physical and digital worlds.
Skilled in software such as Blender, Cinema 4D, ZBrush, Substance, After Effects, and Premiere, Judit continues to perfect her style and explore new techniques to push digital creativity to new limits.
